For curators · beginner

Create your first curator service on TrackGiant

Categories, delivery times, pricing, and how services stack on top of track reviews.

April 16, 20263 min readby TrackGiant Team

Curator services are how you sell deeper work than a single track review: consultations, written feedback packages, playlist-fit reads, production notes — anything that fits the service categories and delivery windows the product supports.

Track reviews are the impulse SKU. Services are the margin SKU when priced and scoped well.

How services differ from track submissions

Track reviewCurator service
Standardized productCustom scope you define
Tied to one track flowCan be broader (EP consult, career call)
Enters the 7-day review window after acceptFulfilled within the delivery time you set

Artists: you buy services from a curator’s profile the same way you discover reviews — but read delivery time carefully before checkout.

Pick a first service that ships fast

Your first service should be:

  • Easy to deliver on schedule (you have a template or process).
  • Clearly bounded (“60-minute Zoom,” “written notes on one track under 5 minutes”).
  • Obvious upsell from your reviews (“Book this after I review your single”).

Avoid “unlimited revisions until you love it” as v1. Scope creep kills calendars.

Categories and delivery times

When you create a service in the dashboard, you choose a category (consultation, production feedback, etc.) and a delivery time from allowed values — for example 1–2 hours, 3–5 days, or 1 week, depending on what the form exposes.

Rule: pick the longest bucket you can still beat consistently. Early late deliveries hurt repeat purchases more than slightly conservative timelines.

Pricing without public dollar tables

Services can be free (lead gen), fixed price, or structured per the form. Anchor price against:

  • Your hourly opportunity cost off-platform.
  • The outcome (a written brief is worth more than “I will listen once”).
  • The risk — live calls cost more sync time than async notes.

Pair with price your curator services for menu thinking.

Writing the description

Good service copy answers:

  1. Who it is for — career stage, genre, problem type.
  2. What you deliver — bullet list of artifacts (doc, call, timestamps).
  3. What you need from the artist — links, stems policy, lyric sheets, etc.
  4. What success looks like — “you leave with a prioritized fix list.”

Skip hype. Artists buy clarity.

Operations: fulfillment inbox

After purchase, treat service orders like tickets:

  • Acknowledge inside the product’s expected window.
  • Deliver through the channel the service promises (written doc, scheduled call, etc.).
  • Close the order cleanly so earnings reconcile.

If you run simultaneous track reviews, block calendar so services do not steal the time you need for the 7-day review SLA on submissions.

Stacking with reviews and Live Sessions

Many curators use:

  • Reviews → top of funnel.
  • Services → depth and higher LTV.
  • Live Sessions → community + paid queue revenue.

Cross-link in your bio: “Want deeper notes? Book EP Arrangement Pass after your review lands.”

First service ideas by archetype

  • Artist-Curator: “Pre-master sanity check” async doc.
  • Playlist-style curator: “Playlist positioning memo” with comp tracks.
  • Educator: “Career Q&A block” with pre-read of bio + goals.

Ship one clean service, deliver it ten times perfectly, then expand the menu. Services scale your taste — but only if delivery stays boringly reliable.

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